Meet HER

Get to know the editors, reporters, and contributors behind HER’s independent feminist journalism.

A stark, minimalist urban rooftop at twilight, with a single massive, weathered concrete billboard as the focal point. The billboard’s surface is plastered with layered wheat-paste posters: some are serious monochrome charts on pay gaps and voting rights, others are brightly colored, satirical illustrations that subvert traditional power symbols with a distinctly HER-branded magenta and ink-black palette. A few corners of the posters peel in the wind, revealing older, muted campaigns beneath. Golden hour light grazes the billboard from the side, casting long, dramatic shadows across the concrete and accentuating every tear and wrinkle in the paper. The city skyline in the distance is softly blurred, lights beginning to sparkle. Shot from a slightly low angle in photographic realism, the mood is defiant, contemplative, and powerfully visual, like a silent editorial shouting across the city.
A meticulously arranged flat lay of symbolic objects on a matte black backdrop: a vintage brass microphone with fine mesh detail, a thick legal textbook embossed with gilt lettering on gender equality, a pair of sleek over-ear studio headphones, and a spiral notebook open to a sharply written, sarcastic headline in bold magenta ink. A small, cracked glass ceiling tile fragment rests beside them, glittering subtly. Overhead softbox lighting casts even, diffused light, producing gentle shadows that define each object’s texture while keeping the scene bold and graphic. The composition is carefully balanced, with the microphone drawing the eye in the upper left and the notebook anchoring the lower right, shot straight down in photographic realism. The mood is punchy, intelligent, and slightly irreverent, echoing a news desk that doubles as a staging ground for cultural critique.

Why HER Exists

HER is a feminist newsroom covering politics, culture, and power with satire, receipts, and rigor. We fact-check obsessively, prioritize marginalized voices, and welcome pitches and partnerships through our contact page at /contact.

Editorial Team

A bold, high-contrast close-up of a vintage metal newspaper vending box painted in vivid fuchsia and deep crimson, its surface covered in crisp, graphic headlines about equality, power, and policy. Some headlines are stamped in black ink, others in electric yellow, evoking protest posters. The box stands on a wet city sidewalk at dusk, neon reflections from nearby storefronts shimmering in puddles. Dramatic side lighting from a streetlamp creates sharp, cinematic shadows and metallic highlights on bolts and hinges. Shot at eye level with shallow depth of field, the background blurs into an abstract city glow. The mood is urgent, rebellious, and unapologetically bold, rendered in photographic realism with a sleek, modern editorial aesthetic.

Aarav Sharma

CEO

Editor-in-chief shaping fearless feminist reporting with sharp wit, rigor, and uncompromising intersectional standards.

A bold, high-contrast close-up of a vintage metal newspaper vending box painted in vivid fuchsia and deep crimson, its surface covered in crisp, graphic headlines about equality, power, and policy. Some headlines are stamped in black ink, others in electric yellow, evoking protest posters. The box stands on a wet city sidewalk at dusk, neon reflections from nearby storefronts shimmering in puddles. Dramatic side lighting from a streetlamp creates sharp, cinematic shadows and metallic highlights on bolts and hinges. Shot at eye level with shallow depth of field, the background blurs into an abstract city glow. The mood is urgent, rebellious, and unapologetically bold, rendered in photographic realism with a sleek, modern editorial aesthetic.

Mateo García

CTO

Investigative reporter exposing abuses of power, centering women’s voices from parliaments to picket lines.

A heavy antique courtroom door, painted a rich, saturated teal and slightly ajar, reveals only a sliver of a grand interior bathed in warm light. On the door, a freshly stenciled graphic in hot pink and white reads “HER RIGHTS ENTER HERE,” layered over older, faded gold lettering, with a few drips of paint suggesting recent, defiant action. The hallway floor is polished stone reflecting the bold typography, while stately wood paneling lines the walls. Soft, directional light from an unseen window creates long, dramatic shadows and a strong sense of depth. Shot from a low-angle perspective to give the door a towering presence, the composition uses rule of thirds to keep the stenciled message dominant. The mood is tense yet hopeful, with photographic realism and a cinematic, activist energy.

Zuri Ndlovu

Engineer

Digital editor translating complex policy into accessible stories, memes, and explainers without sacrificing nuance.

A pristine glass-topped editorial desk set against a floor-to-ceiling window overlooking a modern city skyline, the sky tinged with stormy blues and pinks. On the desk lies a stack of thick, matte magazine mockups titled “HER” in punchy magenta, charcoal, and white, their covers mixing serious headlines about women’s rights with small, witty subheads. A chrome laptop glows with an open article layout, and scattered neon sticky notes carry sharp, satirical one-liners. Cool, diffused afternoon light softens the scene while a single warm desk lamp adds a focused spotlight on the magazine stack, creating subtle reflections in the glass. Captured from a slightly elevated angle with crisp focus and mild background bokeh, the atmosphere feels intellectually electric and editorial, with photographic realism and a clean, high-contrast color story.

Leila Haddad

Designer

Columnist skewering everyday sexism with humor, cultural criticism, and lived experience from the margins.

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